"No good movie is too long and no bad movie is short enough”, Roger Ebert
Mad Max 2 je toliko bolji od jedinice da to nisu istine, baš nedavno sam proša cilu trilogiju (ne, Thunderdome nije Mad Max 3
) i koliko god jedinica bila kvalitetna nije ni blizu duje po kvaliteti. Po meni je Fury Road čak i najbolji film u franšizi.
Ako se gleda s umjetničke strane, i Mad Max, i Terminator, i Blade jedinica imaju puno veću umjetničku vrijednost, dok su dvice više komercijalne jer su očigledno imali veći budžet pa su se mogli razbacati idejama. Ali meni su ipak od sva tri dvice draže, iako to ne znači da ne cijenim ni jedinice.Eumaus The Swineherd je napisao/la:QR_BBPOSTMad Max 2 je toliko bolji od jedinice da to nisu istine, baš nedavno sam proša cilu trilogiju (ne, Thunderdome nije Mad Max 3
Ja sam na Fury Road skoro zaspao, jednostavno je film dosadan, a Maxa ima u tragovima tijekom filma, ispao je samo kao neki sporedni lik. Da su film nazvali Furiosa možda bih imao drugačija očekivanja...Eumaus The Swineherd je napisao/la:QR_BBPOST Po meni je Fury Road čak i najbolji film u franšizi.
Da, pogotovo prvi Terminator, to je neki odličan miks tech-noira i slashera, sve je odlično, od glazbe do osvjetljenja i glume. Ali svejedno mi je Dvojka dražalemonzoo je napisao/la:QR_BBPOSTAko se gleda s umjetničke strane, i Mad Max, i Terminator, i Blade jedinica imaju puno veću umjetničku vrijednost, dok su dvice više komercijalne jer su očigledno imali veći budžet pa su se mogli razbacati idejama. Ali meni su ipak od sva tri dvice draže, iako to ne znači da ne cijenim ni jedinice.Eumaus The Swineherd je napisao/la:QR_BBPOSTMad Max 2 je toliko bolji od jedinice da to nisu istine, baš nedavno sam proša cilu trilogiju (ne, Thunderdome nije Mad Max 3
Doslovno bit filma, koliko znam working title i je bia Mad Max: Furiosa al su se brinuli da ga ljudi neće ić gledat ako ne bude Max u filmu, šta je istina jer ja ga prvi ne bi iša gledat
Svejedno me oduševia, dvosatni car chase i možda najbolji primjer show dont tell storytellinga i worldbuildinga koji je izaša iz Hollywooda u jako dugo.
Može se i treći Terminator pogledati. Kasnije bez Švarcija ili kad je star jok.
Kod: Označi sve
https://www.cnn.com/videos/entertainment/2020/04/21/val-kilmer-gma-interview-orig-vstop-bdk.cnn
https://ew.com/movies/godmother-jennife ... directing/Jennifer Lopez has tapped a mighty cinema matriarch to helm her upcoming Griselda Blanco drama The Godmother.
EW can confirm The Handmaid's Tale and Meadowland helmer (and lauded cinematographer) Reed Morano is in talks to direct Lopez's upcoming turn as the infamous Colombian drug lord in STX Films' planned production about her controversial life, which Lopez had previously considered directing herself as her filmmaking debut.
Deadline, which first reported news of Morano's discussions, Oscar-winning screenwriter William Monahan (The Departed) is also in talks to rewrite a first draft of the project's screenplay, which was originally penned by Oscar nominee Terry Winter (The Wolf of Wall Street) and the Emmy-nominated Regina Corrado (Deadwood).
The Godmother will reportedly follow Lopez as Blanco, who worked her way up the ranks of the male-dominated Colombian drug circuit, overcoming an impoverished childhood to become one of the most revered, powerful, and dangerous lords in the world known as "La Madrina." Estimates peg her net worth at more than $2 billion, and she was an instrumental player in Miami's deadly Cocaine Cowboy Wars that ravaged the Florida city from the 1980s through the early 2000s.
In 2012 at age 69, Blanco was shot and killed outside a Medellín butcher shop, after serving nearly two decades in prison on murder and racketeering charges.
Lopez was first announced to star in the film back when it was in development at HBO, though STX — where Lopez made her highest-grossing live-action showing of all time in the stripper drama Hustlers, which grossed over $100 million domestically on top of earning the actress-producer a Golden Globe nod — later acquired the film in July 2019. Lopez and her longtime producing partner Elaine Goldsmith-Thomas (Second Act, Hustlers) and her manager, Benny Medina, as well as Julie Yorn, will produce The Godmother, with Winter, Alex Pettyfer, Alex Brown, and Rick Yorn executive-producing.
